Deepspace is a multidisciplinary work that investigates arts and science as methods of inquiry into the unknown. From the immediate source of the body through to visual and sonic translations, Deepspace examines processes of searching for, collecting and ordering information that we use to understand the universe. In this work, the body is located between the extremities of remoteness and proximity, connectedness and isolation, certainty and uncertainty.
In 2016 James Batchelor and visual artist Annalise Rees were invited to be official voyage artists on a 2-month expedition at sea studying remote islands in the sub-Antarctic. This expedition led by the Institute for Marine and Antarctic Studies in Australia took place on Australia’s Marine National Facility the RV Investigator, a state of the art marine research vessel. It journeyed to the UNESCO World Heritage Heard and McDonald Islands, with the purpose of studying submarine volcanoes and their relationship to the Earth’s biosphere.
The expedition was an environment where art and science as research were occurring simultaneously. What then is the relationship between art and science? How do these practices contribute to or interrogate one another? What are the potential platforms for art and science to engage with people today and in the future? These are ongoing questions that Deepspace is concerned with.
‘As a choreographer this was a particularly unique and inspiring environment to study and research the body. It was a highly challenging space, taking me well outside my normal modes of practice. It required me to be profoundly patient and observant; to question what is ‘work’ and when does ‘work’ happen? The extreme isolation, confinement and repetitiveness of my daily experience required a profoundly different approach to space and time. For the duration of the two-month journey, ‘work’ was occurring at every moment. On a constantly moving platform in the world’s roughest ocean, simply searching for stillness and stability was ‘work’. From this unfamiliarity, I developed a particular sensitivity to the body. Starting from sensation, the body became a heightened arrival and departure point for information.’
Read more about James’ experience and Deepspace in his essay Thoughts on Deepspace
Choreographer: James Batchelor
Performers: James Batchelor, Chloe Chignell/Amber McCartney
Visual Artist: Annalise Rees
Sound Design: Morgan Hickinbotham
Adelaide, Australia. Vitalstatistix. November 15 – 18 2018.
Groningen, The Netherlands. Jonge Harten Theatre Festival. November 24 2018.
Joensuu, Finland. Lonely in the Rain? November 30 2018.
Brugge, Belgium. Concertgebouw December Dance 18. December 9 2018.
Riga, Latvia. Homo Novus International Festival of Contemporary Theatre. September 8 – 9 2018.
Dusseldorf, Germany. Internationale Tanzmesse NRW. August 31 2018.
Bristol, United Kingdom. Arnolfini. July 13 – 14 2018.
London, United Kingdom. Chisenhale Dance Space / Hackney Showroom. July 1 2018.
Birmingham, United Kingdom. Birmingham International Dance Festival. June 22 – 23 2018.
Brisbane, Australia. Australian Performing Arts Market. February 23 2018.
Canberra, Australia. Canberra Theatre Centre. December 23 2017.
Luxembourg. Casino Luxembourg Forum d’art Contemporain/Trois CL. October 19 2017.
Versailles France. Plastique Danse Flore. September 24 2017.
Bassano Del Grappa Italy. B.motion. August 27 2017.
Melbourne Australia. Dance Massive, Artshouse. March 20 2017.
Hobart, Australia. Museum of Old and New Art, MONA. November 4 2016.
Hobart, Australia. Salamanca Arts Centre. September 24 2016.
Hobart, Australia. Tasmanian Museum and Gallery. August 19 2016.
Deepspace has been supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, the ACT Government through Screen ACT and the City of Melbourne through Arts House. Deepspace was developed through Arts House’s CultureLAB with the assistance of Creative Victoria.