From the human body to the cosmos, HYPERSPACE is an inquiry into the metrics we use to measure the deep unknowns of the universe. It proposes a study of the human body seen through the prism of cosmology, a mapping of the universe within and around it. The interior and exterior landscapes of the body are deconstructed, producing a self-critique of the masculine body and its dominance in space exploration. In HYPERSPACE, the fleshy material of the body bends, stretches and is reconfigured as alien transmutation, appearing simultaneously colossal and microscopic.
HYPERSPACE is the third in a series of works (DEEPSPACE 2017 + REDSHIFT 2017) from James Batchelor and his collaborators that grew from a unique opportunity to be part of a scientific expedition to study sub-Antarctic islands in 2016.
HYPERSPACE is a 40 minute performance shown in intimate theatres and unique found spaces. It is part of Aerowaves 2019.
James Batchelor and Collaborators commissioned Chloe Chignell to write an essay titled A Strange Topology that reflects on some of the ideas and wider resonances of HYPERSPACE in conversation with her own ideas and those of other artists/writers.
Choreographer/Performer: James Batchelor
Composer / Sound Design: Morgan Hickinbotham
Producer / Collaborator: Bek Berger
Lighting Design: Beizj Studio
Illustration Design: Amber McCartney
More 2019 Europe dates TBA.
Vilnius, Lithuania. New Baltic Dance Festival. May 10-11. 2019
Bellinzona, Switzerland. Performa Festival. April 27 2019
Paris, France. Artdanthé Festival. April 13 2019
Paris, France. Aerowaves Spring Forward La Briqueterie. April 6 2019
Melbourne, Australia. Dance Massive. March 20 – 23 2019
Canberra, Australia. Canberra Theatre Centre. March 7 & 9 2019
Paris, France. Les Plateaux de la Biennale, La Briqueterie. September 29 2018
Bassano del Grappa, Italy. B.Motion Festival. August 23 – 26 2018
HYPERSPACE has been developed with partners Centro per la Scena Contemporanea (Bassano del Grappa), Dance 4 (Nottingham) and Dancehouse (Melbourne). HYPERSPACE has been supported by Creative Partnerships Australia through the Australian Cultural Fund, The Besen Family Foundation, The Keir Foundation and Michael Adena and Joanne Daly.